WDW Magazine Cover
CODES & CONVENTIONS
--------------------------------------------------------------------------------------------------------------------------Magazine covers vary from genre to genre and from magazine to magazine; however, issues of the same magazine often have many similarities. Seeing what a professional, published travel magazine does may inspire ideas into what my own theme park/travel magazine will look like in it’s final product.
The magazine that I am focusing on is produced and distributed by a popular theme
park in Orlando, Florida (and other cities): WDW (Walt Disney World) Magazine.
It focuses on the inner workings of Disney World and cute games and tidbits
about what to expect when you go to their parks. I chose this series as it will
help in what I am interested in producing (theme park pros and cons for the
park’s events).
From the three issues I chose, the WDW magazine has a sophisticated masthead that is
usually displayed on the top left corner, unobscured by any other titles or
pictures. It is a sans serif font that emphasizes that the magazine is modern
and it pushes away from the child-friendly font that we would expect to see
from a magazine based on a family-oriented theme park. At the top right lays
the issue number and the month/year released in a similar, but smaller, font to
the masthead. The main image is always colorful and captures the reader's
attention. Another element to notice is that even though there is a main cover
line and other cover lines, the main image is hardly covered by the text. This
is done so that the viewer can clearly see the image and be captured by the
vivid imagery. While the December issue is darker due to the image being taken
at night, it is arguably as colorful and as eye-catching as the October issue
which was taken in the daylight. Even the fonts of the main cover line helps
convey the aura of the whole magazine. The Soarin’ Into 2019 issue
has a main image of a rocket ship ride and it obviously speaks of space themed
rides in the cover line-the font feels futuristic. The Holly Jolly Holidays Are Here issue also has a font that screams Christmas time, which is also supported by the cover lines. Finally, at the bottom in a
black border, is a topic/cover line that is usually striking due to its
placement. The white font against the black background also helps to embolden
itself to the reader. For instance, the October issue has “To Infinity and Beyond!
Toy Story Land in Pictures”. This piece is especially significant since the Toy
Story Land section of Disney World is relatively new, thus the need to place it
in such an obvious place for the reader to see.
When I am designing my cover, I will keep in mind the minimalistic but impactful layout
of this magazine. The black border at the bottom with a quick, witty cover line
is also clever, which I will consider implementing.
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December Issue |
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November Issue |
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October Issue |
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